This
beauty-and-the-beast story from Dreamworks is about a mild-mannered ogre
(voice by Mike Myers) who finds his peaceful swamp the designated
resettlement area for all the fairy-tale creatures (dozens of cartoon
cameos by such favorites as Tinkerbell, the Three Pigs and Pinocchio)
being deported by the cowardly Lord Farquaad (John Lithgow). He agrees to
rescue, with the help of a motor-mouth donkey sidekick (Eddie Murphy), the
princess Fiona (Cameron Diaz) from a fire-breathing dragon in order to get
his swamp back. It’s definitely in the children-of-all-ages category
because, despite raising the already-high standards for CG movies, the
script is so sharp, offering shrewd satires of other movies (Disney’s in
particular), that it would go over if stick men were used. It’s one of
those movies that’s so constantly and completely entertaining that you
may have to see it twice. And it’s okay to go without your kids. Some
screenings in Japanese; call first.
REVIEWS:
DECEMBER
Short 6
Recommend you rename this compilation of short films “Short 4” and
skip the last two. The
Yards
Reality-based tale of corruption and relative morality in New York’s
subway maintenance yards. Joy
Ride
Two brothers get on the wrong side of a faceless trucker in this fairly
preposterous yet well-paced suspense thriller. Original
Sin (Poison)
Any discernable plot in this forgettable bodice-ripper is there for the
purpose of getting Antonio Banderas and Angelina Jolie buck-naked as often
as possible. Heavy
Metal 2000: FAKK2
Story about intergalactic, heavily armed amazon with enormous,
gravity-defying breasts will delight adolescents of all ages. Anniversary
Party Outstanding
ensemble piece directed by Alan Cumming and Jennifer Jason Leigh is the
ultimate Hollywood insider party gone awry.
NOVEMBER Home
Sweet Hoboke
Only occasionally amusing English-language effort by an overconfident
Yoshifumi Hosoya shows that Japanese directors sometimes just don’t get
it.
Evolution
Disappointing and somewhat inane comic effort from Ivan Reitman about
alien microorganisms that threaten to take over the world by out-evolving
us. The
Crew
Cobbled-together codger comedy about four retired wizened guys commits the
ultimate crime of not being funny.
Swordfish
Gimmicky escapist entertainment has John Travolta as a jovially sinister
super crook.
Memento
Enthralling, original mystery, told in reverse, of a man with no
short-term memory seeking his wife’s killer Nora
Beautiful and intelligent period piece about James Joyce and his
muse/lover Nora Barnacle.
OCTOBER Impostor
Intriguing Philip K. Dick (Blade Runner, Total Recall) sci-fi story about a
guy who could be a bomb-implanted android. Or not. Sweet
November
Absolutely horrid romantic tearjerker starring Keanu Reeves. Bruiser
Gimmicky, kind of dumb parable from George Romero about a man who literally
loses face. Chill
Factor
Cookie-cutter thriller for adolescents. Someone
Like You
Formulaic romantic comedy stars Ashley Judd and Hugh Jackman. O Brother, Where Art
Thou?
Odyssey-based, rambunctious bit of fun from the Coen Brothers. Training
Day
Rookie cop Ethan Hawke tries out for elite narc squad headed by Denzel Washington and
learns far more than he bargained for. SEPTEMBER Glitter
Excruciatingly awful hour and 42 minutes of fingernails on a blackboard stars Mariah Carey
as a pop star. Small
time crooks
Woody Allen bumbling-burglar flick is worth seeing, but disappointing for fans of the
director. Schizopolis
Steven Soderbergh getting a lot of fanciful film-school stuff out of his system. Fast
and Furious
High-octane adrenaline rush of a popcorn movie keeps you from noticing that it has no real
plot. Loser
Fair effort by Amy Heckerling (Clueless, Look Whos Talking) is above average for the
well-trodden teen-romantic-comedy slot. A
Knights Tale
Insultingly stupid application of the tired sports movie formula to medieval jousting. Tigerland
Darkly atmospheric, Vietnam-era anti-war flick never gets out of boot camp and gives a
definite nod to One Flew Over the Cuckoos Nest. Tomb
Raider
Angelina Jolie is more action figure than actor in this loud, occasionally coherent SFX
romp. Dracula
2000
Plodding, uninspired and suspense-free jumble of tawdry Christian symbolism. Get Real
Intelligent coming-of-age-and-gay flick is rewarding for all but the most rabid
homophobes. AUGUST The
Luzhin Defence Character-driven film about chess and obsession from Nabokov novel
stars John Turturro and Emily Watson. Kiss
of the Dragon
Superb martial arts sequences overcome hackneyed plot to make this Jet Li flick a must for
chop-socky fans. Ghost
World
Engrossing and a constant chuckle filled with subversive humor Beyond
the Mat
A fascinating, at times even hypnotic look at what makes pro wrestlers tick
Save the Last Dance
White ballerina gets some life as well as hip-hop pointers from cool black guy in
above-average teen flick. JULY Exit
Wounds
The Great Pissed-Off One's umpteenth remake of his "maverick" cop flick is even
more violent and brutal than usual. Theremin: An Electronic Odyssey
Fascinating documentary on the creator of that weird instrument you know from "Good
Vibrations" and 50s sci-fi flicks. Jurassic Park III
Plotless, nearly character-free, B-movie thrill ride concentrates on hungry-monster
meal-planning and dining. The Trench
Stereotypical WWI trench warfare drama tells us little other than it was a bitch to be in
the trenches in 1916. JUNE Bring it On
Family T&A flick about the "sport" of high-school cheerleading competitions. Planet of the Apes
Outstanding remake (rare enough) by Tim Burton of the 1968 classic offers a fresh story,
really scary makeup and plenty of surprises. Dr Doolittle 2
Creatively bankrupt sequel made solely for under-12, flatulence-appreciating audiences. Pearl Harbor
In a vicious, unprovoked attack on good taste, this film, which will surely live in
cinematic infamy, is boring enough to put a waking giant back to sleep. Journey of Man
3-D presentation of some of Cirque du Soleil's visual and highly physical magic. MAY A.I. Artificial Intelligence
Pinocchio fable from Stanley Kubrick and Steven Spielberg has to do with a boy-robot that
is able to love. The Mummy Returns
Big, loud, ridiculous, SFX-laden sequel is creatively empty eye candy.