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Past Issues

751: Parallel Worlds
749: George Raab: Canadian Wilderness Etchings
743: Daido Moriyama
741: Bauhaus Experience, Dessau
739: The Perry & Harris Exhibition
737: The House
735: XXIst Century Man
733: Kaii Higashiyama
731: Three Weeks of Art Celebration
729: Fashion + Art
727: New Horizons: The Collection of the Ishibashi Foundation
725: Yokoyama and Toulouse-Lautrec
723: Goth: Reality of the Departed World
721: Genesis Art Lounge
717: Tatsuya Matsui: Flower Robotics
715: Space for Your Future: Recombining the DNA of Art and Design
713: MoMA Design Store + Gallery White Room Tokyo
711: Roppongi Crossing 2007: Future Beats in Japanese Contemporary Art
709: Daikanyama Installation 2007
707: Nippon to Asobo
705: Marina Kappos at Tokyo Wonder Site
703: African-American Quilts: Women Piecing Memories and Dreams
701: Kids Earth Fund
699: The Mural Art of Kotohira-gu Shrine: Okyo, Jakuchu and Gantai
697: “Ayakashi” and “Odilon Redon”
695: Architects Around Town
693: Chocolate
691: My Civilization: Grayson Perry
689: Henry Darger: A Story of Girls At War—of Paradise Dreamed
687: Taisho Chic: Japanese Modernity, Nostalgia and Deco
685: Marlene Dumas: Broken White
683: The Mind of Leonardo: The Universal Genius at Work
681: Suntory Museum of Art and 21_21 Design Sight
679: Art Fair Tokyo 2007
677: Gregory Colbert: Ashes and Snow
675: The Door into Summer: The Age of Micropop
673: World of Kojima Usui Collection
671: Keeping TABs
669: The National Art Center, Tokyo
667: New Year’s Preview
665: Jason Teraoka: Neighbors
663: The 3rd Fuchu Biennale: On Beauty and Value
661: Bill Viola: Hatsu-Yume (First Dream)
659: Shinro Ohtake Zen-Kei
657: Prism: Contemporary Australian Art
655: The Royal Museums of Fine Arts of Belgium Exhibition
653: Luisa Lambri
651: Modern Paradise
649: The Legend of Ultraman
647: Nihonga Painting: Six Provocative Artists
645: Echigo-Tsumari Triennial
643: Art × Communication = Open!
641: YOROYORON: Tabaimo
639: Africa Remix
637: Mashcomix
635: Move On Asia and Hitoshi Nishiyama’s White Out
633: A Passion for Plants
631: Chikaku: Time and Memory in Japan
629: A Sense of You, Created by Me
627: Beautiful Cities in Dreams
626: 77 Million
625: No Border
623: The 9th Annual Taro Okamoto Memorial Award for Contemporary Art
621: Tokyo-Berlin/Berlin-Tokyo
619: Conversation With Art, On Art
617: Olafur Eliasson: Your light shadow
613: Mayumi Terada: New Works
611: Gerhard Richter: New Works
609: Hokusai
607: Stephan Balkenhol: Skulpturen und Reliefs
605: International Triennale of Contemporary Art 2005
603: CWAJ 50 Years of Print Show
601: Hiroshi Sugimoto: End of Time
599: Shinji Ohmaki: Echoes-Infinity
597: Miwa Yanagi
596: Cubism in Asia: Unbounded Dialogues
595: Canada Tsuga: The Feeling of Wood
594: Laurie Anderson: The Record of the Time
593: Today's artists X: Nishimura Morio/Matsumoto Yoko
592: Masaaki Yamada
591: Follow me!
590: Daido Moriyama: Buenos Aires
589: Mutsuro Sasaki: Flux Structure
588: Shinro Ohtake
587: Masterpieces of the Louvre Museum
586: Tabaimo: Yubibira
585: Yasumasa Morimura: Los Nuevos Caprichos
584: Julian Opie: Films and Paintings
583: Masterpieces of the museum island
582: The Elegance of Silence
581: Tapies
580: The world is a stage: Stories behind pictures
579: Shigejiro Sano At Play in the Esprit of Paris
578: The Body: Hitoshi Abe
577: Tenshin Okakura: The Awakening of Japan
576: Contemporary Spanish Photography: Ten Views
575:Taro Okamoto Memorial Award
574: Takeshi Tamai: Till Moss Grows On
573: Laura Owens
572: Alphonse Mucha: Treasures Of The Mucha Foundation
571: “Welcome, Welcome” Art-Beijing-Contemporary
570: The hidden side of Japanese art
569: Art Scope 2004: Cityscape Into Art—Michiko Shoji + Johannes Wohnseifer
568: Life Actually
567: Traces: Body and Idea in Contemporary Art
566: Mirrorical Returns: Marcel Duchamp and the 20th Century Art
565: Archilab: New Experiments In Architecture, Art and the City, 1950-2005
564: The Second Annual Fuchu Biennale
563: Have We Met?
561-2: Fluxus: Art Into Life
560: Christopher Wool
559: Pop Art and co.
558: Art & Money
557: Art of the Japanese Postcard
556: Yayoi Kusama: Eternity-Modernity
555: Ihei Kimura: The Man with the Camera
554: Wolfgang Tillmans: Freischwimmer
553: Emerging Generation
552: Larry Clark: Punk Picasso
551: Cool & Light: New Spirit in Craft Making
550: Angelo Mangiarotti: Un Percorso
549: Endo Akiko: Poetry of an Everlasting Life
548: Paris and Klein
547: Yoshitomo Nara: From the Depth of My Drawer
546: Colors: Viktor & Rolf & KCI
545: Micro Presence & Macro Presence
544: Non-sect Radical: Contemporary Photography III
543: Pastoral and Flowers in Modern French Painting
542: Collapsing Histories: time, space and memory
541: Supernatural Artificial
540: Jiro Takamatsu: Universe of His Thought
539: The World Press Photo 2004
538: I Dreamt of Flying: Noguchi Rika
537: Man Ray Exhibition: The Gift of His Vision
536: Why Not Live For Art?
535: Brazil: Body Nostalgia
534: n_ext: New Generation of Media Artists
533: Empty Garden II
532: Street Art in Africa: A Color Commotion
531: Modern Crafts and Design from the Museum Collection: Art Deco
530: And or Versus? : Adventures in Images
529: Modern Means
528: Remaking Modernism in Japan 1900-2000
527: Treasures of a Sacred Mountain: Kukai and Mount Koya
526: Jan Jansen: Master of Shoe Design
525: Yasuo Kuniyoshi: Between Two Worlds
524: Beyond The Border: Seung H-Sang and Yung Ho Chnag
523: Testimony of Life: Ancient Roman Portraits from the Vatican Museums
522: I Love Art
521: "My" Siberia and "My" Earth: The 30 Year Memorial Retrospective Exhibition of Yasuo Kazuki
520: Time of My Life: Art with a Youthful Spirit
519: Joy of Life: Two Photographers from Africa-JD 'Okhai Ojeikere and Malick Sidibé
518: Roppongi Crossing: New Visions in Japanese Art 2004+Kusamatrix
517: Exposition Musee Marmottan Monet
516: Treasures of a Great Zen Temple: Nanzenji
515: Johannes Itten: Ways to Art
514: Meiji Kaigakan (Memorial Picture Gallery)
513: Kaii Higashiyama: One Man's Path
512: Future Cinema: The Cinematic Imaginary after Film
511: Yasujiro Ozu: Japanese Film Master
509/10: End-of-the-year review and 2004 preview
508: Surface tension
507: Jean Nouvel
506: Makoto Aida: My Ken Ten
505: Gaudi: Exploring Form
504: Ino Tadataka and Old Maps of Japan/Fusuma Paintings of Jukoin
503: Naoshima Contemporary Art Museum
502: Happiness: A Survival Guide for Art and Life
501: Today's Man
500: Taro Shinoda: Helicopter 1

Issues 499-
Issues 449-
Issues 399-
Art
By Lucy Birmingham

Genesis Art Lounge
A welcoming space in Setagaya helps adults and kids tap their creativity

Liane Wakabayashi and husband Akihiko
Photos Courtesy of Caroline Parsons

Indulge in a tarot reading and you’ll quickly understand how the cards can be both enlightening and unnerving. So much depends upon the skill of the reader—in the wrong hands, the tarot is simply a deck of strange cards. The ideal situation would be to do your own reading and interpret the messages with your own personal wisdom. Sounds good, but how?

Liane Wakabayashi knew she was onto something when
the first series of tarot-like cards she created with artist Andy Boerger in 2000 helped inspire and guide her students. They were called the Genesis cards, and the results were remarkable.

After years as a journalist and creative writing teacher, Wakabayashi traded her pen for pastels, dusted off her Columbia MFA, and began to offer Genesis Workshops at locations throughout Tokyo. It worked like this: participants would first choose a Genesis card and then, without looking at it, draw freely and intuitively. Only after the drawing was finished would the artist look at the card. Wakabayashi would then help her students interpret their drawings. Some participants found answers to pressing questions, while others discovered a new confidence to create art.

Wakabayashi found the most successful workshops were those that she conducted in the relaxing atmosphere of a café, and she dreamt of someday having her own café-style art space. Two children and ten years later, she was able to turn her dream into a reality when she opened the Genesis Art Lounge last November, not far from her home in Setagaya.

“If you really want to do something, there’s often a challenge, something that is blocking you,” she says. “You feel, ‘I’m not good enough for this, I’m too old for this, what if something happens…’ What I’ve discovered is that art is a powerful way of pulling those barriers down so that we can achieve our happiness and have faith that we have everything it takes to achieve our goals.”

Nicole Mizoguchi, an intuitive artist from Texas, drawing with her son Hirota

The Genesis Art Lounge is a relaxing, colorful space. The walls are decorated with Wakabayashi’s soft drawings, which also appear on the Genesis cards. While you brew yourself a cup of tea and check out some of the 1,500 inspirational books in the library, your child can play with an assortment of educational toys or get busy with their own drawings.

Wakabayashi offers two types of art programs. The do-it-yourself Artmix Café offers a quiet, relaxing space for small groups and parties to use the Genesis cards and enjoy creativity together. High-quality European art materials are on offer at a reasonable price, as are the deck of 44 Genesis cards. Artists are invited to exhibit their work, and guest artists can give talks, teach art and also sell their work.

For independent creative exploration, the Genesis Workshops combine drawing, writing and intuitive development; art classes by guest teachers are also scheduled throughout the week. For parents, the Genesis Family workshops let adults and kids participate together, first by creating art separately, then by sharing their work.

“For people who work with tarot decks, there are many ways to use the cards,” Wakabayashi says. “My way is to use the Genesis Cards together with art. I can help people interpret their own art, but the point is to help them open their intuitive channels so that they can do their own interpretation of their drawing and the Genesis card they chose.”

Interior of the Genesis Art Lounge

Wakabayashi recalls one workshop participant who was uncertain about her planned move from Japan back to her native Europe. “Martine drew a picture of a tree encompassed by a large, bright sun. I could see that she was gathering the power she needed to move forward towards the future. She chose the #40 card—Trust—an image that looks like a moon with a red dot at its center. The tea mug she chose was printed with the picture of #12—the Dreamer—a reclining woman sleeping under a great full moon. Martine’s picture, with its giant red sun, seemed to me such a wonderful amplification of the red dot in the Genesis card, as if her own picture was telling her to trust the future. It was time to wake up from a dream.”

“It’s that simple,” says Wakabayashi with a smile. “There’s nothing more beautiful than the art you do yourself.”

For more information, see www.genesiscards.com.

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