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Past Issues
749: Cajun Dance Party
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598: Feist
596: Fantomas
595: Hyde Park Music Festival
593: Little Barrie
591: Juliette Lewis
589: James Chance & The Contortions
588: Carnival: Vice Bongo 1st Anniversary Party
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581: Caetano Veloso
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578: Moe
577: Death From Above 1979
576: Destiny’s Child
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572: Ozomatli
570: The Dirty Dozen Brass Band
568: Prefuse 73
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565: Rachel Yamagata
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561-562: Metropolis music survey 2004
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535: Janet Kay with Omar and Thriller U
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525: Questions of the day
523: Tough Cookie
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518: Down to the Wire
517: Incubus
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515: Black Eyed Peas
514: Pretenders
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509/10: Incognito
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506: Robert Randolph and the Family Band
505: Out on a limb
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501: Super Furry Animals
499: Geezer's groove
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497: Syn city
496: Slacker rock rules!
495: Television
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492: The Used
491: Gypsy Summer 2003
490: The Lucksmiths
489: Maxi Priest & Shaggy
488: Chuck Berry
487: Summer Sonic
486: The redheaded stepchild makes good
485: Positive punk mom
484: Duran Duran
483: Unapologetically acoustic
482: Break and Remake
481: Ron Sexmith
480: Folk Implosion
479: The Brand New Heavies
478: The Blood Brothers
477: Eminem
476: The Kills
475: Jackson Browne
474: N.E.R.D.
473: Shred a tabloid, make music
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471: Bringing the jams east
470: Asian Dub Foundation
469: Badly Drawn Boy
468: Massive Attack
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466: The All Wave Grrls
465: J. Mascis + the Fog
464: Catching up with Sonic Youth
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462: Magic Rockout
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460: Snuff
459: Queens of the Stone Age
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456: K-Ci & JoJo and The Roots
455: Sleater-Kinney
454: Beast Feast
453: Contrasts in young UK rock
452: Tahiti 80
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450: The Artist (no longer) formerly known as..
449: Paul McCartney Previewed
447: Jamiroquai
446: On the phone: Taxiride
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443: Camp in Asagiri Jam
442: The Cinematic Orchestra
441: On the phone: Moby
440: True People's Celebration
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438: The politics of sampling
437: Summer Sonic sampler
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419: Speech
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414: Britney Spears
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394: Regurgitator
393: Art Garfunkel
392: Belle and Sebastian
391: Super Furry Animals
390: Ben Folds
389: Elton John
388: Dido
387: Papa Roach
386: Beast Feast 2001
385: Summersonic
384: David Sylvian
383: Maxi Priest & Big Mountain
382: Fuji Rock Festival 01
381: Roxy Music
380: Bo Diddley
379: John McLaughlin & Zakir Hussain in Remember Shakti
378: Paul Weller
377: Coolio
376: Backyard Babies
375: Marcus Miller
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373: Megadeath
372: Dionne Warwick
371: Arrested Development
370: Mouse on Mars
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368: Linkin Park
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366: Japan Blues Carnival 2001
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362: Mogwai
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359: Green Day
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354: Leigh Stephen Kenny
352/3: Limp Bizkit
351: Boyz II Men
350: Reef
349: Park Tower Blues Festival
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346: Incognito
345: Jimmy Page and The Black Crowes
344: Bad Religion
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342: Rocktober 2000
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336: Asian Dub Foundation
335: Lou Reed
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332: No Doubt
331: Camel
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329: Summer Sonic
328: Mt. Fuju Aid 2000
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324: Maxi Priest
323: Lenine
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320: Smashing Pumpkins
319: Pet Shop Boys
318: Japan Blues Carnival
317: Gipsy Kings
316: Steely Dan
315: Pshish
314: Big Night Out
313: Femi Kuti and the Positive Force
312: Harry Connick Jr.
311: Sonny Rollins
310: Speech
309: Santana
Music
By Dan Grunebaum

One Fine Day
Frontman Marten Pulmer tells Metropolis about the contemporary German punk rock scene

L to r: Hendrik Burkhard, Roman Rossbach, Marco Köhrsen, Marten Pulmer, Erik-Mqac Essig
Courtesy of Columbia

Metropolis tracked down singer Marten Pulmer
in advance of his band One Fine Day’s Japan debut as part of Shimokitazawa record label Vinyl Junkie’s “33/45 Junkies” omnibus event this Wednesday in Shibuya.

Acquaint us with what’s going on in Hamburg.
The music scene in Hamburg is very diverse. There are many good punk bands in Hamburg but also a lot of great pop, metal and hip-hop acts. Hamburg has many great live venues too and a special spirit. Remember The Beatles started their career in Hamburg.

How did you come together and what was your first gig like?
Our guitar player Hendrik and I have known each other since we were 3—so nearly all our lives! We always wanted to play in a band together, and after playing in a punk band and another hardcore band we met Marco, our bass player, and founded One Fine Day. Roman joined the band when we recorded our first demo tapes with him, and we met Erik in a bar in Hamburg. Our first gig was totally crazy, we were all drunk and wore these ridiculous blue shirts with orange fruits... and we sucked!

Why did you name yourselves One Fine Day?
We chose the name One Fine Day because we like the optimism in it. You can adapt this name to every hope, dream or situation in life. “One Fine Day I will go on tour with my band.” “One Fine Day I will make my own record.” “One Fine Day I will understand why my girlfriend left me.” “One Fine Day humankind will learn to walk the Earth as brothers and sisters.” Optimism, hope, belief and love are all that matter, and they are all contained in the name One Fine Day.

At what point did you get serious about the band?
Since we decided to give everything for the band and realize our dreams. There were situations in our lives where we had to make hard decisions that led to misunderstandings with our families and split relationships. Signing the record deal for our first real album Faster than the World and playing some big shows made it all feel worth it.

If the band broke up tomorrow, what would you have achieved?

I would have had the best time of my life with my best friends, who share my dreams and so many beautiful moments. I would have lived my dream and given everything for it.

How is Damn Right an evolution from your first album?
Damn Right is both technically and emotionally evolved from Faster than the World. While the songs for Faster… were developed almost solely in the studio without a central theme, the songs for Damn Right grew in a holiday house in Denmark in a spirit of unity. The first song for Damn Right was “Damn Right,” the eponym and key song for the whole album. All hopes, emotions, worries and dreams this album carries are answered in this song. It is, so to speak, a concept album.

What made you decide to cover Cindy Lauper’s “She Bop?”
Our lead guitarist Roman played in a metal band before and he covered that song with his former band. But as he never was really satisfied with the result he asked us to do it with One Fine Day. The original version is a bit lame but we made it a lot faster, which accentuates its great melodies and harmonies. We never wanted to cover a very famous song just as it is, so we spiced up “She Bop” our own way.

You’ve toured with big American bands like My Chemical Romance. What do young German bands have in common with young American bands? What sets them apart?
I think young people all over the world have dreams they maybe don’t know of yet, but they will one day. In Germany young people don’t seem to have as many restrictions as in America. And patriotism and religion are much bigger topics in the US than in Germany. But in listening to music we have a lot in common: it’s all about feeling the music and having a great time with your friends.

In your view, how has punk evolved since the ‘70s?
The slogan for ‘70s punk bands like the Sex Pistols was “No future.” It was the time of the Cold War, the arms race and the rise of conservative values. These kids were scared, frustrated and wanted to be different than regular people. Musically, punk rock was very rough, dirty, simple and political. Over the years both the music and lifestyle evolved. Different influences enriched punk rock, and the music became more interesting, more melodic and fun-orientated. Punk became the soundtrack for sports like skateboarding and political issues took a back seat. With the success of bands like Green Day, punk also became big business. Today punk has many faces. Politics, social action and environmental awareness are still important issues about which certain bands and fans care a lot.

How did you get invited to Japan?
Since Damn Right will be released in Japan on June 20, our Japanese label—and we as a band—thought it would be a great idea to do some promotion in Japan and to play a few shows. We’re so excited and curious to visit Japan. Another dream comes true!

Club Quattro, June 27. See concert listings for details.

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