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Past Issues

742: Low IQ 01
740: Shake Forward!
738: iLL
736: Tobu Ongakusai
733: Yanokami
731: One Night in Naha
729: Shugo Tokumaru
727: Japan Nite
725: Getting out the vote
723: J-Melo
721: Electric Eel Shock
717: GO!GO!7188
715: Yura Yura Teikoku
712: Midori
710: Seigen Ono
708: Wrench
707: Shinichi Osawa
704: M-flo
701: Freesscape
699: Versailles
698: Fuji Rock Festival 2007
697: Uri Nakayama
695: UA
693: Shonen Knife
690: Kemuri
689: Ikochi
686: Best Japanese Albums
684: Monkey Majik
682: Shibusashirazu Orchestra
681: Jon Lynch and Juice magazine
677: DJ Kentaro
675: Sadistic Mikaela Band
673: Osaka Monaurail
672: Teriyaki Boyz featuring Kanye West
666: Oki
662: Amanojaku
659: Polysics
657: Oceanlane
655: Cornelius
651: Bomb Factory
642: Soul Flower Mononoke Summit
640: African JAG
637: Buffalo Daughter
635: Ryukyu Underground
633: Mazri no Matsuri
631: Mono
629: Coldfeet
628: Crystal Kay
625: J-pop goes def
623: Ken Yokoyama
621: Zazen Boys
619: Monday Michiru
613: PE’Z
611: Afrirampo
609: Sherbets
603: Double Famous
601: Meltone
599: Michiyo Yagi
597: Hifana
594: Guitar Wolf
592: Rip Slyme
590: Little Creatures
588: Bliss Out on Hougaku
586: Hoppy Kamiyama
584: Bliss Out on Hougaku
582: Mazri no Matsuri
580: Mari Natsuki
575: Towa Tei
573: The Beautiful Losers
571: Fantastic Plastic Machine
569: Nippop
567: Brahman
560: Shonen Knife
558: Nice Guy Jin
556: Toru Yonaha and Kinohachi
554: Hiromi Uehara
551: Nicotine
549: Ego-Wrappin'
545: Eastern Youth
538: Inside tracks
536: Outside the Box
534: Rainbow Warrior
529: Breaking the mold
527: Sadao China
524: The sound of cyberpunk
522: Ryuichi Sakamoto's Chasm
516: Ken Yokoyama
514: Jan Linton
512: Jazz messengers
509/10: Naoko Terai
507: Akiko Yano
504: Kotaro Oshio: Solo Strings
502: Refurbished rhythms
494: Resonance
492: Samurai.fm: cyber-swordsmen
490: Loop Junktion
488: Ryukyu Underground: Okinawan Odyssey
484: Gocoo: Reinventing taiko
481: Leonard Eto
479: Gaijin à Go-Go
477: Enemy music
475: Yoriko Ganeko with Chuei Yoshikawa
472: DJ Kaori
469: Yuki
467: Wrench
464: Young and swingin
462: Jazzy Live 2003 from Blue Breath
460: Shonen Knife
457/458: Date Course Pentagon Royal Garden
456: Yuka Kamebuchi & The Voices of Japan
454: Jude
452: Kokoo
451: BBQ Chickens
449: Man and the machinery
446: Crystal Kay
443: Lava
440: Jazz on Leave
437: Rip Slyme
434: Boom Boom Satellites
432: "Rambling" Steve Gardner
430: Dry & Heavy
428: The Birth of OE
426: Anmitsu
424: Happy Kamiyam
422: Shing02
420: Supercar
418: Ryuichi Sakamoto
416: Kick The Can Crew
414: King Brothers
412: Kazufumi Miyazawa
410: Japanese Independent Music
408: The Yoshida Brothers
406: Love Psychedelico
393: Mikidozan
391: Shelter 10th Anniversary
389: The beautiful losers
387: Junpei Shiina
383: Umekuichi
381: P'ez
379: Boredoms
377: Dai Sakakibara
375: Dreams Come True
373: eX-Girl
370: Pizzicato Five
368: Dub Squad
366: Buffalo Daughter
364: Phew Phew L!ve
362: Fumio Yasuda
360: Boom Boom Satellites
358: Kei Kobayashi
356: Cool Drive Makers
354: Bird
351: United Future Organization
349: Audio Active
347: Ondekoza
345: Misia
343: Brahman
341: Puffy
339: Ryukyu Festival 2000
337: Rappagariya
335: Lisa Ono
333: Air Jam 2000
331: Feed
327: Tenkoo Orchestra
325: Wrench
323: Sadao Watanabe
321: Dry & Heavy
319: Bonny Pink
317: Sakura Hills Disco 3000
315: Aco
313: Rovo
311: The Mad Capsule Markets
309: Coldfeet

Japan Beat
By Dan Grunebaum

Polysics
Hiroyuki Hayashi and co. lead a new audience to geek rock

(L-R) Fumi, Hayashi, Kayo and Yano
Courtesy of Sony Ki/oon

When Polysics first appeared at the dawn of the decade, they were quickly termed Japan’s answer to Devo. That label was correct, and the band readily acknowledged their debt to the Akron, Ohio, post-punk pioneers. But in recent years, Polysics (named after a synthesizer) have shown themselves to be more than derivative, topping up the Devo influences with their own idiosyncratic 21st-century Tokyo flavors and a frenetic live show that’s endeared them to fans worldwide. In doing so, they may have even brought a new audience to Devo. Metropolis recently sat down with Polysics founder Hiroyuki Hayashi at his management’s offices on a side street in the bustling bohemian district of Shimokitazawa.


What first attracted you to Devo?

As a typical nerd, I couldn’t relate to the bad-boy image of punk bands like the Sex Pistols. But with Devo I felt a kinship: the jumpsuits, the way they moved like broken robots—this was something I could relate to. It was the way a normal boy might act if he was angry.

Devo were a bit before your time...
When I came of age, no one was making ele-pop. But I felt a sense of distance from the techno boom that was underway at the time.

What is the biggest difference between Polysics and Devo?
Devo had a very strong concept. Polysics are more impulsive and absurd, without any particular meaning.

Did you ever get to meet Devo?
Six years ago I went to LA to perform. I looked up the address of [leader] Mark Mothersbaugh and went to his studio. I didn’t have an appointment, but they were all there. They were really nice. I passed them our CD and they used one of the songs for their answering machine. Many bands bring together electro and guitar pop.

What is unique about Polysics?
We’re very physical. Compared to other bands mixing technology and rock, we put an emphasis on live performance.

What are you listening to now?
Deep Purple. They rule! I saw them this summer and was blown away. I used to be a “hard rock guitar boy.” They have an amazing sense of speed and their music is easy to understand.

Tell me about your forthcoming album.
It has more variety than the past album. We’re about to begin mixing it and are aiming for a spring release. This time we’re using a lot of new technology. Roland’s new vocoder sounds awesome.

You recently toured England with the Kaiser Chiefs. What did you bring away from that?
It was great to be able to tour with some of the English bands I like: New Order, Gang of Four… but the Kaiser Chiefs represent a new UK style. It’s a bit different than the ’90s Britpop sound typified by Oasis. The Chiefs and other recent bands really work to entertain their fans.

They reportedly discovered you on the English comedy program The Adam and Joe Show…
All kinds of people saw it, including the Kaiser Chiefs. Apparently it had a big effect. What does comedy mean to Polysics? Humor is really important. I’m serious about what we do, but at the same time I don’t want to be taken seriously.

What do your overseas fans make of you?

Young English people who aren’t familiar with ’80s ele-pop and New Wave see us as something entirely new. Americans tend to immediately mention Devo.

What’s with the jumpsuits and sunglasses?
We’ve been using the jumpsuits since the beginning. After seeing a Devo video I absolutely had to have one, and I made the sunglasses myself at first. Now we have a designer making them for us.

Do you sell them at your gigs?
No—but that’s not a bad idea.

Liquidroom, Dec 18. See concert listings (popular) for details.

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