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Metropolis.co.jp Friends

Past Issues

754: Ed Woods
753: 8otto
751: Para
750: Fuji Rock Festival 2008
748: Katan Hiviya
745: Who the Bitch
742: Low IQ 01
740: Shake Forward!
738: iLL
736: Tobu Ongakusai
733: Yanokami
731: One Night in Naha
729: Shugo Tokumaru
727: Japan Nite
725: Getting out the vote
723: J-Melo
721: Electric Eel Shock
717: GO!GO!7188
715: Yura Yura Teikoku
712: Midori
710: Seigen Ono
708: Wrench
707: Shinichi Osawa
704: M-flo
701: Freesscape
699: Versailles
698: Fuji Rock Festival 2007
697: Uri Nakayama
695: UA
693: Shonen Knife
690: Kemuri
689: Ikochi
686: Best Japanese Albums
684: Monkey Majik
682: Shibusashirazu Orchestra
681: Jon Lynch and Juice magazine
677: DJ Kentaro
675: Sadistic Mikaela Band
673: Osaka Monaurail
672: Teriyaki Boyz featuring Kanye West
666: Oki
662: Amanojaku
659: Polysics
657: Oceanlane
655: Cornelius
651: Bomb Factory
642: Soul Flower Mononoke Summit
640: African JAG
637: Buffalo Daughter
635: Ryukyu Underground
633: Mazri no Matsuri
631: Mono
629: Coldfeet
628: Crystal Kay
625: J-pop goes def
623: Ken Yokoyama
621: Zazen Boys
619: Monday Michiru
613: PE’Z
611: Afrirampo
609: Sherbets
603: Double Famous
601: Meltone
599: Michiyo Yagi
597: Hifana
594: Guitar Wolf
592: Rip Slyme
590: Little Creatures
588: Bliss Out on Hougaku
586: Hoppy Kamiyama
584: Bliss Out on Hougaku
582: Mazri no Matsuri
580: Mari Natsuki
575: Towa Tei
573: The Beautiful Losers
571: Fantastic Plastic Machine
569: Nippop
567: Brahman
560: Shonen Knife
558: Nice Guy Jin
556: Toru Yonaha and Kinohachi
554: Hiromi Uehara
551: Nicotine
549: Ego-Wrappin'
545: Eastern Youth
538: Inside tracks
536: Outside the Box
534: Rainbow Warrior
529: Breaking the mold
527: Sadao China
524: The sound of cyberpunk
522: Ryuichi Sakamoto's Chasm
516: Ken Yokoyama
514: Jan Linton
512: Jazz messengers
509/10: Naoko Terai
507: Akiko Yano
504: Kotaro Oshio: Solo Strings
502: Refurbished rhythms
494: Resonance
492: Samurai.fm: cyber-swordsmen
490: Loop Junktion
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484: Gocoo: Reinventing taiko
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477: Enemy music
475: Yoriko Ganeko with Chuei Yoshikawa
472: DJ Kaori
469: Yuki
467: Wrench
464: Young and swingin
462: Jazzy Live 2003 from Blue Breath
460: Shonen Knife
457/458: Date Course Pentagon Royal Garden
456: Yuka Kamebuchi & The Voices of Japan
454: Jude
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449: Man and the machinery
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443: Lava
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437: Rip Slyme
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410: Japanese Independent Music
408: The Yoshida Brothers
406: Love Psychedelico
393: Mikidozan
391: Shelter 10th Anniversary
389: The beautiful losers
387: Junpei Shiina
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381: P'ez
379: Boredoms
377: Dai Sakakibara
375: Dreams Come True
373: eX-Girl
370: Pizzicato Five
368: Dub Squad
366: Buffalo Daughter
364: Phew Phew L!ve
362: Fumio Yasuda
360: Boom Boom Satellites
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356: Cool Drive Makers
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351: United Future Organization
349: Audio Active
347: Ondekoza
345: Misia
343: Brahman
341: Puffy
339: Ryukyu Festival 2000
337: Rappagariya
335: Lisa Ono
333: Air Jam 2000
331: Feed
327: Tenkoo Orchestra
325: Wrench
323: Sadao Watanabe
321: Dry & Heavy
319: Bonny Pink
317: Sakura Hills Disco 3000
315: Aco
313: Rovo
311: The Mad Capsule Markets
309: Coldfeet

Japan Beat
By Dan Grunebaum

Afrirampo

The White Stripes weren’t an inspiration, say this Osaka duo

Pika and Oni off stage
courtesy of Sony Ki/oon

There’s something about Osaka that throws up eccentric noise bands. The Boredoms emerged from the city a decade ago, shattering the image of Japanese rock as derivative with an atavistic originality that owed more to free jazz than to The Beatles.

More recently, Afrirampo have been electrifying crowds the world over with a blistering live show that leaves listeners gasping. “Osaka sense is weird. It’s different from other cities. There’s a comedic atmosphere there,” offers guitarist/vocalist Oni (“Devil”) in an interview before a recent show at Unit in Daikanyama.

It might be easy to laugh about Afrirampo (a neologism they say means “naked”) if they weren’t so potent live. These are clearly two untrained girls just out of high school having fun bashing away, but there’s a method to the madness.

Oni usually starts with a riff—nothing you’d recognize from rock tradition—on the guitar, and is then joined by Pika’s insistent rhythms. The two begin to trade nonsensical words and phrases in a style they liken to birdsong or a vocal game. There’s certainly nothing in the way of verses or choruses here. (One song, “Do Do Do Do” consists only of that syllable.) But somehow it builds to a climactic frenzy that is something more than mere noise, something that provides a liberating catharsis of sonic delirium.

Since forming in high school in 2002, Afrirampo have toured the US, where they supported Sonic Youth, and Europe, where they played from Croatia to Norway. They’ve released albums on domestic imprint Sony Ki/oon (Urusa In Japan) and noted New York experimentalist John Zorn’s Tzadik label (Kore Ga Mayaku Da).

They say that, so far, Turkey was the most way-out gig they’ve played.

Pika and Oni on stage

“A ‘psycho brother’ emailed us from Istanbul. He has a small ‘maniac’ record shop and loves underground Japanese music,” explains Pika. “He arranged the show. We had about 400 people. He gave out many invitations, so many people came. In Turkey people don’t pay for strange bands because they don’t have much money.”

Inspired by a video about African pygmies they saw at a percussion camp, Afrirampo also spent three months in the summer of 2004 living with a tribe in Cameroon. A CD of material they recorded there is now being edited for release.

Pika and Oni say their music is more influenced by people and animals—dolphins, to be specific—than bands. And despite the White Stripes format, Afrirampo also insist the guitar/drums duo lineup was just something that happened. “It’s cheaper and easier to tour that way,” they say.

Afrirampo perform in garish red tops and hot pants with red war paint—something that apparently enhances their senses. They look to move beyond the ordinary, beyond cliché. At their next gig at Unit, they say customers won’t be allowed in unless they’re dressed up. “It’s a more special day. If you want to come, you have to wear a costume,” says Pika. “You can decide. “Furifuri poo poo poo.” This means yourself. Crazy. Like Rocky Horror Show.”

Unit, Dec 19. See concert listings (popular) for details.

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