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 PAST ISSUES

FASHION ARCHIVE:
508: The science of fashion
504: Work of art
496: Slow motion
492: Best foot forward
488: In her prime
484: Force majeure
480: Mixed bag
475: Fashioning the future
471: Unfinished business
464: Mint condition
454: Kurai kawaii
450: Family style
446: Cover story
442: Funky fit
438: Space man
436: Head dress
434: Brave new world
432: Winning streak
430: A cut above
428: Lighten up
426: Piece keeper
424: Gypsy things
422: Soft Touch
419: On Garde
417: Shock Treatment
415: Design of the times
413: Café society
411: Out of hiding
409: Lasting leggings
407: Chain gang
404: Clan of the cave wear
398: Victor/Victoriana
396: Vamp it up
394: Licence to thrill
392: Even cowgirls get the blues
390: Soldiers of fortune
388: In gear
386
384
382

Family style

Next to Tokyo's design goliaths, T.H.D. La Maison Designer Takumi Hatakeyama and wife Junko Sugata are the Davids of the scene. But taking on the heavyweights with their casual chic label has been all fun, the duo tells Martin Webb.

It's just a couple of weeks before the Spring/Summer 2003 Collections are due to start, but T.H.D. La Maison studio is a picture of calm and order. “We don't get super-busy before the collections,” Takumi Hatakeyama says. “Thanks to this person,” he gestures to his wife and business partner Junko Sugata, “We start and finish work at a fixed time—there's no messing around.” In the lead up to the collections many fashion industry people work up to 20 hours a day, sleeping on the office floor—but the T.H.D. (Takumi Hatakeyama Design) team is a notable exception. “We're very unusual I suppose,” he says. “For myself as a creator, it can be very difficult, but the staff can always get home in good time and always start bright and early in the morning.”

It's impossible not to warm to Hatakeyama—seated behind the current season's samples, next to his wife, he has a reassuring air of self-confidence. The T.H.D. maestro, now 41, has all the standard Japanese designer credentials. A Tokyo Mode Gakuen graduate, and Ministry of International Trade and Industry Fashion Grand Prize winner, he has also worked in Paris as a chief assistant designer. Like many of his contemporaries, his time in the home of fashion served as an awakening. Besides learning about the demands of a professional atelier, and some French, Hatakeyama was exposed to the history of fashion—the most important thing the designer took away from his time in Paris. “There, I learned the reason for adding darts to a jacket, or a princess line—I learned that fashion is essentially about making the body appear beautiful,” he explains. But his experience at T.H.D., he says, has taught him to narrow the gap between art object and real clothing and express himself through wearable clothes. As a small company, the luxury of creating fabulous outfits just for the shows is beyond T.H.D.'s means, so what is shown on the catwalk is what eventually ends up on the shelves. “Despite this,” he says “the goal is, that in the same way you might see someone's outfit and say ‘that's Miyake-ish,' or ‘that's Yamamoto-ish,' people can say ‘that's Hatakeyama-ish.'”

This entrepreneur's impressive fashion shows—which often use top overseas models—belie the humble nature of his business. Despite having no big backer, and with only a small staff and an atelier to match, T.H.D. has become a firm favorite at the Tokyo Collections. Now in his ninth year of showing on the runway, the stout, straight-talking designer has built a strong following throughout Japan and is in the process of doing the same through outlets in Taiwan and Hong Kong. Appealing to essentially conservative women, T.H.D. has an eccentric edge that offers women the opportunity to indulge their wild side. Influenced by anti-fashion creators Moschino and Jean-Charles de Castelbajac, Hatakeyama is known for his mismatched skirt and jacket combinations in restrained but feminine colors and classic cuts that he modernizes with rough and rugged textures or whimsical shirring. While Paris provided a solid fashion education, it also introduced the designer to one of his favorite materials. “Most clothes are made from fabrics woven from many threads and then cut,” he explains, “but knits start with just one thread. With that one thread you can make stripes and patterns, create textures—the possibilities still fascinate me,” says the veteran. These details, he says, give his clothes a solid or three-dimensional feel.

Hatakeyama is very proud of the playful spirit he injects into his designs. Picking items from the Autumn/Winter 2002/2003 collection off a rail, he beams as he shows off a skirt with sleeves, a jacket with four lapels and a skirt bearing an enormous rose print. “Asobi gokoro!” (playful spirit) he exclaims. His wife Sugata rolls her eyes and sighs—avant-garde items are difficult to sell, especially in recession-hit Tokyo.

Despite his target market of women aged 25 to 35, the Japanese capital, and particularly its youth fashion district, Harajuku, is a great source of inspiration, according to the T.H.D. creator. His store and office are at opposite ends of Tokyo's most infamous street-style strip, Cat Street. “It's a fascinating area,” Hatakeyama says. “Japanese people are famous for mixing cheap garments with luxury brand goods, and around here is where you see it most. I suppose this mixed style means there's a greater chance that people will buy my clothes,” he concludes. In terms of research, the T.H.D. boss studies trends emerging from Europe and the States, but admits that what he sees in Shibuya and Harajuku is also very important. “I'm getting on a bit,” he says, “so I need to use my senses to stay in touch with what's new.” Watching TV helps, he says, but being based down in Ura-Harajuku is important. “I can't go back to my 20s,” he adds, “but I can sure keep my eye on the times.”

Current Tokyo trends certainly seem to have affected T.H.D.'s designs for next season. For a brand like T.H.D. that changes dramatically from season to season, keeping the latest look under wraps is important. But after some gentle persuasion, Hatakeyama is prepared to reveal his carefully guarded image for Spring/Summer '03. He announces that he has chosen to work with the handcrafted look that has been sweeping the city's fashion scene. According to Sugata, developing the fabric textures and hand-stitched relief details was a very time-consuming to process. “I've been working the team especially hard this time round,” she laughs.

As the clock ticks towards their November 8th show followed by exhibitions and buyer meetings, the creative couple looks forward to getting away. Times might be tough for a mini-maison in Tokyo, but the creative pair that occupies this house are still having the time of their lives.

T.H.D. La Maison is available at the store listed below and other department store outlets throughout Japan.

THE Shop, Open 12:00pm - 7:30pm. 4-25-35 Jingumae, Shibuya-ku. Tel: 03-3404-8099.

Photo credit: Courtesy of T.H.D. La Maison, Martin Webb


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